"Heretic" may open with a picture perfect magnum sized pun, but it doesn't waste any time before it grabs you by the throat, and drags you down an eerie stairway, into a world where belief is both a weapon and a crutch. Directed by Bryan Woods and Scott Beck, this film is a razor-sharp exploration of faith under siege, wielding suspense and psychological terror as tools to dissect the human psyche.
With a performance by Hugh Grant that weaponizes charm into menace and standout turns from Sophie Thatcher and Chloe East, this isn’t a film that politely asks for your attention—it demands it. What unfolds is a riveting, layered narrative that will leave you questioning the very fabric of conviction, morality, and truth itself.
The story begins when Sister Barnes and Sister Paxton, two Mormon missionaries, turn up at the home of the enigmatic Mr. Reed under the guise of sharing their faith. The setting quickly transforms from a safe haven into a psychological labyrinth, as Mr. Reed reveals himself to be both a charming intellectual and a sinister manipulator on a devilish crusade to find the one true religion.
His home, filled with subtle but unnerving details—like a blueberry pie reduced to the artificiality of a scented candle and a front door locked by a timer—becomes a metaphorical and literal trap. This oppressive setting, brilliantly designed by Philip Messina, mirrors the rising tension as the women confront not only Mr. Reed's sinister games but also their own beliefs.
Thematically, "Heretic" examines the fragility and resilience of faith, belief, and disbelief. Mr. Reed's philosophical provocations force Barnes and Paxton to question the foundations of their spiritual convictions. The protagonists' eventual resistance to Mr. Reed's rhetoric underscores the complexity of personal belief systems and the strength found in confronting doubt, and questioning what's in front of you before accepting it so easily.
Hugh Grant’s performance as Mr. Reed is a standout. His trademark charm is weaponized, making his sinister intentions even more chilling. Grant’s portrayal aligns with a long cinematic tradition of intellectual villains who use their wit and charisma to disarm and manipulate. Thatcher and East, meanwhile, deliver layered performances that oscillate between vulnerability and determination, making their characters' journey deeply affecting.
Technically, the film is a marvel. Cinematographer Chung-hoon Chung uses tight framing and dim lighting to create an atmosphere of claustrophobia and unease, while the script skillfully balances moments of suspense with profound thematic exploration. The dialogue, laden with references to religion, pop culture, and philosophy, invites viewers to reflect on the narratives that shape their lives.
"Heretic" ultimately emerges as a layered meditation on faith, fear, and the human condition. It challenges viewers not only to endure its psychological terror but also to engage with its deeper questions.
9/10
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